The Couple Next Door.
The idea came from the opening pages, which takes the reader from what seems like the beginning of a light romantic comedy, wherein our hero, Jeremy comes back to his Seattle apartment building from yet another disappointing date. Then that whole light romantic comedy thing is upended on its head by this scene:
I open the front door, and that’s when everything changes. My life turns upside down. I go from bored discontent to panic in a split second.
The first thing I hear is someone shouting “No!” in an anguished voice. I look up from the lobby to see two figures on the staircase above, on the second-floor landing. One is a guy who looks menacing and so butch he could pose for a Tom of Finland poster. An aura of danger radiates from him. Aside from his imposing and muscular frame, he’s even wearing the right clothes—tight, rolled jeans and a black leather biker jacket with a chain snaking out from beneath one of the epaulets. His high and tight buzzed hair gives him a military—and mean—air. He has his hands on the shoulders of a guy who looks a bit younger and much slighter, making me want to call up the stairs, “Why don’t you pick on someone your own size?” The smaller guy, blond and clad only in a pair of pajama bottoms, struggles with his attacker, looking terrified. Their movements, clumsy and rough, would be comical if they weren’t so scary. The smaller guy is panting and batting ineffectually at the bigger one.
“Please! No! Don’t!” the smaller guy manages to get out, his voice close to hysteria.
I have never seen either of these men before. In fact, the whole scene has the quality of the surreal, a dream. The danger and conflict pulsing down the stairs makes my own heart rate and respiration accelerate, causing feelings of panic to rise within me.
And then the worst happens. The big butch guy shoves the smaller one hard, and all at once he’s tumbling heavily down the stairs toward me.
The fall is graceless, and it looks like it hurts. It’s over so fast that I’m left gasping.
I look up to see the leather-jacket guy sneer down at his mate, lying crumpled and crying at my feet, and then turn sharply on his heel to go back into a second-floor apartment that had been vacant yesterday. He slams the door. The sound of the deadbolt sliding into place is like the report of a shotgun. Both slam and lock resound like thunderclaps, echoing in the tile lobby, punctuation to the drama and trauma of this short scene.
I switch into Good Samaritan mode and drop to my knees at the sniveling, crumpled mess of a man lying practically at my feet.
I had that scene in mind before I even began writing. I asked myself: who are these people? What’s going on here? It really made me want to move forward, to figure out these characters and what would become of their very intertwined, complex—and dangerous—relationships.
I hope I have that same effect on you and that you'll be compelled to keep turning those pages to see what happens next. I guarantee what happens next, in this book, is NOT what you expect!
With the couple next door, nothing is as it seems.
Jeremy Booth leads a simple life, scraping by in the gay neighborhood of Seattle, never letting his lack of material things get him down. But the one thing he really wants—someone to love—seems elusive. Until the couple next door moves in and Jeremy sees the man of his dreams, Shane McCallister, pushed down the stairs by a brute named Cole.
Jeremy would never go after another man’s boyfriend, so he reaches out to Shane in friendship while suppressing his feelings of attraction. But the feeling of something being off only begins with Cole being a hard-fisted bully—it ends with him seeming to be different people at different times. Some days, Cole is the mild-mannered John and then, one night in a bar, he’s the sassy and vivacious drag queen Vera.
So how can Jeremy rescue the man of his dreams from a situation that seems to get crazier and more dangerous by the day? By getting close to the couple next door, Jeremy not only puts a potential love in jeopardy, but eventually his very life.
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