Wednesday, July 8, 2020

New and Notable: 324 Abercorn by Mark Allan Gunnels


Oh, how I love a good haunted house story! And 324 Abercorn is a very good haunted house story, indeed! I tore through the pages, soaking up the weirdness, the unsettling events, the rich Savannah, GA setting, and original characters that I truly came to care about.

I was lucky enough to be able to interview author Mark Allan Gunnels and to get some exclusive insight into the book, his process, and what's coming next from this great voice in horror fiction.

And now, I share that interview with you...

INTERVIEW WITH MARK ALLAN GUNNELS
1. What inspired you to write the book? 
My husband and I spend time in Savannah every year, it really has become sort of a home-away-from home for us. And during one trip several years ago, I absolutely fell in love with an old abandoned house we saw on a ghost tour. It was really the house more than anything else that inspired this novel.

2. What did you want to do differently with the haunted house story trope? 
In some ways, I wanted at least the first half of the novel to be a very traditional haunting story. I wanted to imbue it with that atmosphere of things slightly off-kilter and the ambiguity of “is this really happening or not?” However, in the later half I wanted to introduce some new wrinkles into the narrative. So I guess the real challenge of this one was I wanted to create a book that both read like a very traditional, familiar haunted house story while also delivering something fresh and unexpected.

3. Speaking of haunted house stories, what are some of your favorites, ones that you'd recommend others read? One of my all-time favorite haunted house novels is The Dwelling by Susie Moloney, and I was thrilled that she actually blurbed this book because I’m such a fan. The House Next Door by Anne Rivers Siddons is another excellent one. Speaking of Anne’s, Anne Rice’s novel Violin is a sumptuous and atmospheric haunted house tale. Recently I read The Good House by Tananarive Due and found it highly gripping and effective. Funny, those are all by women. Didn’t plan it that way, but there you have it.

4. What difficulties did you encounter when writing the book? Any stumbling blocks? You know, oddly enough after I got about four or five chapters in, I hit a wall and put the book aside for a couple of years and worked on other projects before coming back to it. Oddly, that’s not uncommon for me. Sometimes I get an idea that I’m super excited about, but really the idea needs more gestation time. That happened here, I put it aside but never out of mind and the idea continued to percolate and evolve until it all came together and I knew I was ready to really commit to it. When I returned after that hiatus, it flowed smoothly all the way to the end.

5. You include a bit of gay romance within the story. How do you feel that element will be received? Early reviews have largely singled out the romance subplot as a highlight, and I’m very pleased. The love story in the book developed very organically. I knew I wanted my main character to start dating someone who would act as Mulder to his Scully, but I had no idea how deep that relationship would become and how important to the overall narrative. As the characters fell in love, I fell in love with them falling in love, if that makes any sense. I don’t think it distracts from the overall story, but actually enhances it and makes it feel more intimate and personal. I think people will continue to respond in a positive fashion to the romance aspect, and the fact that it is a gay romance I hope will be a non-issue.

6. What intrigues you about the setting of Savannah, GA? There’s a certain magic to the city that is almost indescribable. It’s beautiful for one, with so many grand historic homes, lush squares and parks, trees dripping with Spanish moss. It is also a city that feels accepting and welcoming, even to outsiders and outcasts. Maybe especially to outsiders and outcasts. It was a real thrill setting the novel there in that unique atmosphere, I felt like for a year I was able to live there vicariously, and I tried hard to really capture the essence of the city.

7. What horror writers influence you and why? So many. Like most horror fans of my age, I grew up reading King and he definitely influenced me. He creates such a grounded realism in his stories so that you feel you know those places, the people feel as familiar as your next door neighbors. He therefore makes it effortless for the reader to then accept the more otherworldly aspects of his stories. Clive Barker and Anne Rice, each in their own way, taught me to just go for it, to be bold and uncompromising in your vision. Barker was also particularly inspiring to me as a gay writer of horror, acting as a role model that made me feel there could really be a place for me at the horror table.

8. What message do you hope readers get from reading 324 Abercorn? Overall, I hope they are entertained. Whatever deeper meaning or themes may exist in my work, first and foremost I want them to be entertaining reads. With the gay romance aspect of the story, I guess my hope is that maybe it can reinforce the idea that love really is love, no different between members of the same sex as opposite sex.

9. Do you listen to music when writing? If so, what? I never used to listen to music when I wrote, finding it too distracting. That changed recently. From an antique store I bought an old-time radio that still functions and set it up in my office. I found an oldies station that plays music from the 50s and 60s and some 70s because it seems somehow wrong to listen to modern music on an antique radio. I let the oldies play softly as I work. In fact, as I type this I’m listening to “Clean Up Woman” by Betty Wright.

10. What's next for you in terms of writing/publication? I have another novel with Crystal Lake Publishing slated for sometime early next year. This one is a tightly-paced suspense novel entitled Before He Wakes, and I’m very excited for this one to be out in the world. Recently over a two month period I was furloughed from work, I wrote a novella called When it Rains that I recently submitted to a publisher for consideration and have my fingers crossed on that one. I’m also finishing up a non-genre novel entitled The Advantaged that has been a thrilling challenge.

BLURB
Brad Storm doesn’t believe in ghosts, but moving into the house at 324 Abercorn just may change his mind.

Best-selling author Bradley Storm finally has enough money to buy and restore his dream home. Despite 324 Abercorn's reputation as one of the most haunted houses in America, Bradley isn't worried. He doesn't believe in the supernatural. Then strange things begin to happen. Objects no longer where he left them. Phantom noises heard from empty rooms. Shadows glimpsed from the corner of his eye.

Is his house truly haunted, or is there something more sinister happening on the property?


With the help of Bradley’s new boyfriend and a few friends who are just as intrigued with the seemingly inexplicable occurrences surrounding the infamous house, they set out to find the truth of what stalks the halls at 324 Abercorn.

EXCERPT
Brad woke suddenly, his heart pounding as if startled. He wasn’t sure what had woken him until the sound repeated. The loud bang of a door being slammed. A door downstairs.

Bias was also up, propped on his elbows, looking around with the foggy eyes of someone violently pulled out of his slumber. “Whaizit?” he mumbled.

Another bang and what sounded like someone clomping halfway up the stairs and then back down to the foyer. The bedroom door was shut, though Brad honestly couldn’t remember closing it before they went to bed.

“Someone’s in the house,” he said in a harsh whisper.

Bias bolted upright against the headboard, rubbing at his eyes with the heels of his hands. “What time is it?”

It seemed a rather absurd question in this particular situation. As if an intruder in the house at ten would be acceptable, but not at eight. Nevertheless, Brad reached for his cell on the nightstand to check the time. The quality of the light pouring in the window suggested noonish, but he’d confirm on the phone before calling—

Brad’s hand groped along the nightstand but found nothing. He glanced over and saw that the phone was not there. He leaned over and looked beside the bed to see if it had fallen in the night, but again nothing.

Pounding from downstairs, like someone beating a fist against the wall while running up and down the hallway.

“Do you have your cell phone?” Brad asked.

Bias blinked at him for a moment, and then seemed to understand. He grabbed his jeans from where they lay crumpled beside the bed and dug around in the pockets. “I swear it was here last night.”

It had gone quiet downstairs, but somehow the silence felt more sinister and dangerous than the noise.

“What do we do?” Bias asked, seeming fully awake now. “Have a landline?”

Brad shook his head. He hadn’t had a landline for the past five or so years. They seemed so outdated in today’s digital world. Right now, he would have given anything for one.

Climbing out of bed, Brad quickly slipped on his pants from the previous night while Bias did the same. Barefoot and bare-chested, the two crept to the door. Brad paused with his hand on the knob, took a few deep breaths, drew courage from the feel of Bias pressed against his back, then opened the door an inch, placing his eye to the crack. The house was still silent, and he had an unobstructed view to the stairs. They could make a dash down the stairs and out the door, or they could instead go the opposite way and into one of the spare rooms, accessing the balcony and making their way down to the side yard. The stairs provided the most direct line out of the house, but also an increased risk, since—as far as Brad knew—the intruder was still downstairs. Under the circumstances, the balcony was the smarter choice.

He half turned, meaning to tell Bias to put on a shirt and shoes, but he noticed something lying on the floor just in front of the staircase. Two objects, side-by-side.

“Stay here,” he whispered to Bias.

The young man looked truly frightened, his eyes wide and his skin paler than usual. He gripped Brad’s arm. “What are you going to do?”

“Our cell phones are out there. I’m going to grab them then we’ll lock ourselves in here and call the police.”

“They’re just lying out there…you mean like bait in a trap? Whoever broke in could be waiting.”
Brad’s eyes scanned the room, looking for something he could use as a weapon. For the first time in his life, he wished he was more into sports, possibly keeping a baseball bat or hockey stick close at hand. He considered the floor lamp, but it seemed unwieldy and without much heft to it. His gaze panned the far wall and he almost laughed out loud when he spotted the sword.

Three years ago Vertigo comics had done an adaption of his zombie novel, Dead on the Inside, and as part of the promotion, Brad had attended Dragoncon in Atlanta, Georgia. He’d received many gifts while there—graphic novels, posters, T-shirts, trading cards, and from one publisher of Manga a katana sword with sheath and wall mount. He’d hung it up, thinking of it as a mere decoration and nothing more, but now felt silly that it hadn’t immediately sprung to mind when in need of a weapon.
He crossed the room, snatched the sword from the mount, and removed it from its sheath.

“Are you serious right now?” Bias said. “What? You think you’re Michonne from The Walking Dead or something?”

Brad did feel somewhat silly wielding the sword, but better silly than dead. “It’s just a precaution. I’m only going to be out there for a couple of seconds.”

Before Bias could argue further, and perhaps weaken his resolve, Brad threw open the bedroom door and bolted over to where the phones lay. Holding the sword out with his right hand, he bent and collected the phones in his left. A slight breeze ruffled his hair and caused him to look up. He could see straight down the stairs to the foyer. Both the double doors stood wide open to the street. A tingling suddenly shot down his back, and he turned in his crouch, before he sprang for the bedroom. He dropped the sword on the way, but didn’t bother retrieving it. He practically leapt through the doorway, closing and locking the door behind him. He handed Bias his cell phone, feeling out of breath even though the distance he’d traveled to the stairs and back was a few feet at most.
“Call 911,” he said, back against the door as if to barricade it.

Bias immediately began punching at the screen. Brad glanced down at his own phone, expecting it to be broken, but found himself looking at his own feet. At first, his frantic mind registered only confusion, but then he realized that the phone’s camera app was open. Frowning, distantly hearing Bias talking to the emergency operator, he scrolled through to the most recently taken pictures.
The tingling in his spine spread over every inch of his body, encasing him in ice. There were a series of photos—six total—of him and Bias asleep in bed.

BUY 324 ABERCORN

AUTHOR BIO
Mark Allan Gunnells loves to tell stories. He has since he was a kid, penning one-page tales that were Twilight Zone knockoffs. He likes to think he has gotten a little better since then. He loves reader feedback, and above all he loves telling stories. He lives in Greer, SC, with his husband Craig A. Metcalf.

Tuesday, July 7, 2020

NEW AND NOTABLE: Drifter by Eden Winters


Title: Drifter
Author: Eden Winters
Publisher: Rocky Ridge Books
Release Date: 7/7/20
Heat Level: 3 - Some Sex
Pairing: Male/Male
Length: 238
Genre: Romance, Contemporary, Rocker

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Synopsis


Some legends never die.

Killian Desmond met his end in the fiery crash that killed his band, or so the newspapers say. Now a nameless drifter, he plays one pick-up gig after another in a haze of pain and regret, moving on the minute someone says, “You sound like that guy from Trickster.”

Getting outed cost Mike Rose his musical family. A bassist without a band, he’ll play any kind of music to earn a paycheck, but Trickster’s music provides light during the darkest moments of his life.

A chance meeting brings together two lost souls who spark enough heat to set their guitars on fire. Their chemistry, both onstage and off, feels like something written in the words of a song and gives them courage to face life again.

But to seize their future, they have to confront their past.

Excerpt


The throbbing beat blended with screams from the crowd; a crowd hidden by bright lights. Sweat and cologne and beer filled Killian Desmond’s nose. Familiar sounds. Familiar scents.

Home.

Did he love this life or hate it? Who cared, he’d never known another. Back to back with his brother Elliot, he shredded his electric acoustic guitar, improvising for the fans. The strings bent to his callused fingertips, note after note falling from his guitar.

Elliot kept up. Elliot always kept up. Others might get lost in Killy’s musical fantasies, but El gauged Killy’s intentions by the way he moved, held his shoulders, or gestures, like pausing to flip his sweat-dampened hair out of his eyes.

The drummer and keyboardist faded away, letting El set the tone with a deep bass beat.

Killy strutted to the front of the stage. Hot lights illuminated him from behind, shining on sweat-soaked skin. “What you wanna hear?” He didn’t need the words to know they’d be sticking to their prearranged lineup. At their manager’s urging, he’d saved the best for last.

Highway!” roared through the arena.

He grinned and cupped a hand to one ear. “What’s that? I can’t hear you.”

Highway!” roughly six thousand voices cried out in unison, louder this time.

“Aw, c’mon, now,” Killy teased. “We’ll play whatever you want, but you gotta tell us.”

The thunderous chant of  “Highway! Highway! Highway!” threatened to blow the roof off the building.

Strolling over a few paces and throwing an arm around his brother, Killy said, “Well, I reckon we better do as they say.”

“Since when have you ever taken orders?” Elliot shot back.

Faster than most could follow, Killy slung his guitar back into place and launched into their best-known riff.

The screaming nearly deafened him. He tried again. On his sixth attempt the crowd settled enough to begin.

He grinned. Adoration and energy flowed from the crowd, straight into his veins, to gather strength and escape through his fingers and his voice.

His deep growl purred through the arena, pouring out the melody he’d written in a single night in a hotel room God knew where. High on life, cheap vodka, and the rush of their first big show, he’d settled onto the bed in the dark, except for the flickering image of a black and white movie on the TV, sound turned down, and began strumming.

The words flowed out of him unbidden, leaving him raw, shaken, and in possession of a number one hit.

He didn’t sing or play Highway—the melody made him its bitch, possessing him, demanding release into the world.

Who was he to refuse?

“Some were born to sand and wind, on the sea they make their home

Some may live a hermit’s life, on a mountain all alone

Or in a glass and metal cage, high up in the sky

Packed in tight with a thousand souls, all trying to get by

Nine to five may work for some, but that don’t work for me

Saddled to day in day out, no, I need to be free

Living a life all on my own, free of family, lover or friend

On the highway I was born, it’s there I’ll meet my end.”

Alone, just him and the highway, until the chorus.

“On the highway I was born, it’s there I’ll meet my end.”

Elliot’s sweet tenor wrapped around Killy’s pack-a-day growl, blending together seamlessly.

The audience joined in, chanting, “Highway! Highway! Live and die on the highway!”

Rob kept pace on the drums, a musician not really worthy of the band they’d become, and Ace, a friend and one hell of a musician, wound his way through the twists and turns on his keyboards.

“The only home I’ll ever know stretches from sea to sea

No start, no end, no in between, just miles of road and me

Living a life all on my own free of family, lover or friend

On the highway I was born, it’s there I’ll meet my end

Highway! Highway! Live and die on the highway!

Highway! Highway! Live and die on the highway!

Highway! Highway! Live and die on the highway!”

The mass of humanity might have started chanting again for all Killy knew. His world boiled down to this moment, the music, his brother, his friend, and the life laid out for him long ago, the first time his mother brought him and Elliot onstage.

They’d stayed. She’d gone.

Here they still stood, though she didn’t.

Never would again.

Nope, no bad thoughts. Just the music.

Note after note poured from him like rain, blocking thought and feeling.

He crashed to his knees, striking a chord and letting his guitar speak for him. Caught in the spotlight, he leaned back in a signature move his manager made him practice, making his shirt ride up to show some skin, while his hair fell back, glittering like gold in a strategically placed spotlight.

The blue streak, his own addition, voiced his defiance at being a commodity.

He should’ve been exhausted after the show they’d put on, but in that moment, he swore he could go all night.

He jumped to his feet, racing across the stage and running through part of the guitar solo for those seated to the left of the stage, then reversed course to the right, repeating the solo.

Arms reached for him, a thousand voices calling his name.

Rejoining Elliot centerstage, he launched into the chorus and let the others join him.

After extending the song by two more choruses, he finally wound down.

An announcer stepped up on stage, to catcalls, whistles and ear-splitting shouts. “Let’s hear it for Trickster!”

Purchase at Amazon

Meet the Author

 

You will know Eden Winters by her distinctive white plumage and exuberant cry of “Hey, y’all!” in a Southern US drawl so thick it renders even the simplest of words unrecognizable. Watch out, she hugs!

Driven by insatiable curiosity, she possibly holds the world’s record for curriculum changes to the point that she’s never quite earned a degree but is a force to be reckoned with at Trivial Pursuit.

She’s trudged down hallways with police detectives, learned to disarm knife-wielding bad guys, and witnessed the correct way to blow doors off buildings. Her e-mail contains various snippets of forensic wisdom, such as “What would a dead body left in a Mexican drug tunnel look like after six months?” In the process of her adventures she has written twenty gay romance novels, has won Rainbow Awards, was a Lambda Awards Finalist, and lives in terror of authorities showing up at her door to question her Internet searches.

When not putting characters in dangerous situations she’s a mild-mannered business executive, mother, grandmother, vegetarian, and PFLAG activist.

Her natural habitats are airports, coffee shops, and on the backs of motorcycles.

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