A Glimpse into Crafting a Blurb, the Writing Process, and The Couple Next Door
One thing I’ve always maintained with my writing is that the characters come first and the story follows. Sure, I have a general idea about the plot and where I want it to go, but it’s the characters that take me on a journey, often surprising me. Sometimes, I have no idea what will pop up when I sit down to write. I do trust my characters!
I thought it might be interesting to go a little into the publication process (and especially the blurb used on the back cover and to sell the book), so here are some of the things I shared with Dreamspinner Press’s blurb writer.
Here’s what I wrote when they asked about the characters.
Jeremy Booth is a wannabe writer and an independent housecleaner in his thirties. He barely gets by, but is your typical nice guy–attractive, fit, but lonely. He dreams of being a writer and works on it, but has never seen any success.
Shane McCallister is his new next-door neighbor. Shane is younger, blond, handsome and Jeremy falls for him immediately. Shane also seems to be a victim of domestic abuse from the man with whom he lives, a man who is an enigma, a mystery.
Sometimes, this man dresses up in leather, calls himselfCole, acts hyper-masculine, and is physically and verbally abusive. At other times, he’s John, a friendly, and mild-mannered milquetoast. At still other times, he is Vera, a vivacious and sassy drag queen.
Multiple personality disorder? Or is there something more sinister going on? As the book’s tagline says, “Things aren’t always as they seem….”
The blurb information form asks about the specific crisis or obstacle the characters will face during the course of the novel. I think the information below gives a unique insight into the principle plot of The Couple Next Door:
It appears that the object of Jeremy’s love and affection, Shane, is trapped in an abusive relationship. As the plot goes on, there’s a lot more than meets the eye. What are Shane and the man he lives with fleeing? There are secrets about their past life in Chicago, because their story is always changing. Does Shane’s partner have multiple personality disorder? What, exactly, is their relationship? These mysteries, and the dangers that accompany them, are the driving force of the book, along with the romance–which blooms amidst all the questions and perils.
The form also asks about what critical information needs to included in the blurb (or at least hinted at):
The abuse, so the romance readers who abhor cheating will understand why Shane needs to get out of his relationship and will be rooting for him to do so, and be with Jeremy. The multiple personalities of Cole/John/Vera–this is a twist that’s intriguing and also crucial to the plot. The danger–as time goes on and Jeremy learns more, he can see that Shane’s, and maybe his own, life is in danger.
And last, the blurb composition form has a section called NO SPOILERS! It asks what information must not be revealed. Here’s what I put:
More than any other book I’ve written, there are spoilers that I hope will not get out. You need to read the book to know them, but I’ll reveal them here IN CONFIDENCE. [The information has been deleted because, well, no spoilers]. So, those are the things that CANNOT be revealed.
HOW MANY disappointing dates will I endure before I just give up?
I mean, here I am, a perfectly attractive, fit, self-sufficient thirty-year-old, and I’m still waiting to meet the man of my dreams. Mr. Right. Hell, tonight I’d even settle for that character who seems to come along on dates for most of us, the all-too-common Mr. Right Now. But even he isn’t on the seat beside me. In fact, I strongly doubt he’s anywhere in the vicinity of the Capitol Hill neighborhood of Seattle where I live.
Believe me, I’ve looked.
Mr. First Date pulls his Ford Fusion up to the curb in front of my apartment building on Aloha Avenue. We sit in awkward silence for several long moments, listening as the engine ticks down as it cools. I can feel him looking at me. As he’s done most of the evening, he waits for me to speak. I turn my head and, in the dark, give him a weak smile. The date, dinner at a little sushi place on Broadway, had not gone well, full of uncomfortable silences, awkward pauses, and desperate looks around for avenues of escape—on both our parts.
Do I need to say we just didn’t click?
I didn’t think so.
So what he says now surprises me.
“Do you want me to come up?”
Really? We’ve just spent an hour and a half of agony together, trying to find a snippet of common ground that doesn’t exist, and he’s wondering if I want him to come up, which we all know is code for “Shall we make the beast with two backs?”
Seriously? The most irksome thing is, I’m considering it. I mean, he’s cute in spite of our lack of social connection. He’s a games developer for a software company here in town and looks it, with a sort of hipster/geek vibe going on. He has red hair, which I love. He has a beard, which I love. He wears retro glasses, which make him look paradoxically goofy and sexy—which I love.
Would it be so terrible to sleep with him? I mean, it’s been at least two weeks since I’ve enjoyed the charms of anyone other than Mr. Thumb and his four sons, so at least in terms of a release, maybe I should just say “Sure” and open the car door. If things go like some of my dates in the past, he’d follow me upstairs to my apartment and be back in his car in, like, fifteen minutes.
No, I tell myself. And then I tell him, shaking my head, looking sad, and saying the words countless heartbreakers have used over the years to stop ardent passion in its errant tracks.
“I’m sorry, Neil. But I have to get up early.” Lamely, I pat his hand. “Maybe another time.”
I don’t need to be psychic to know that we both know another time ain’t gonna happen.
Neil seems relieved as he restarts his car. He shrugs. “It’s okay. Club Z’s just a couple minutes away, right? Down Broadway and a right on Pike—easy.”
He grins at me, and I wonder if he expects me to laugh. Club Z is one of Seattle’s filthiest bathhouses, and yes, it’s only a few minutes away. He doesn’t seem to need directions.
It’s my turn to be relieved that I didn’t actually succumb to the temptation of inviting this jerk upstairs. Wordlessly I get out of the car and slam the door behind me.
Neil roars off into the damp and still night.
I pause and sigh, staring up at the building in which I’ve lived for the past five years. It’s an okay place, an old redbrick three story with none of the modern amenities—no stainless steel, granite countertops, or gas fireplaces. My apartment is homey. It even has the original tile, sink, and claw-foot tub in its single bathroom. The living room is large, with three big windows that look out on Aloha and let in lots of light—on the days when we have sun in Seattle (that means usually summer days). The floors are scuffed original hardwood. The kitchen actually has a pantry and built-in china hutch. I’ve painted the place a cheery, soft yellow.
Upstairs, the TV, with its DVRed episodes of at-odds Sons of Anarchy and Downton Abbey, awaits. Upstairs, there’s the gelato I love from Whole Foods in the freezer—hazelnut dark chocolate.
Such is my life. Comfortable and a little lonely.
Sometimes I wonder, like Peggy Lee, if that’s all there is.
I head toward the glass-paned front door. I grope in my jeans for my keys. The mail had not yet arrived before I left for my date, and I wonder if there will be any surprises in the vestibule mailbox. You know, like an actual letter from someone, standing out from the usual assortment of bills and solicitations by the cursive lovingly spelling out my name—Jeremy Booth.
My problem is I always have hope, even when there’s little reason to.
I open the front door, and that’s when everything changes. My life turns upside down. I go from bored discontent to panic in a split second.
The first thing I hear is someone shouting “No!” in an anguished voice. I look up from the lobby to see two figures on the staircase above, on the second-floor landing. One is a guy who looks menacing and so butch he could pose for a Tom of Finland poster. An aura of danger radiates from him. Aside from his imposing and muscular frame, he’s even wearing the right clothes—tight, rolled jeans and a black leather biker jacket with a chain snaking out from beneath one of the epaulets. His high and tight buzzed hair gives him a military—and mean—air. He has his hands on the shoulders of a guy who looks a bit younger and much slighter, making me want to call up the stairs, “Why don’t you pick on someone your own size?” The smaller guy, blond and clad only in a pair of pajama bottoms, struggles with his attacker, looking terrified. Their movements, clumsy and rough, would be comical if they weren’t so scary. The smaller guy is panting and batting ineffectually at the bigger one.
“Please! No! Don’t!” the smaller guy manages to get out, his voice close to hysteria.
I have never seen either of these men before. In fact, the whole scene has the quality of the surreal, a dream. The danger and conflict pulsing down the stairs makes my own heart rate and respiration accelerate, causing feelings of panic to rise within me.
And then the worst happens. The big butch guy shoves the smaller one hard, and all at once he’s tumbling heavily down the stairs toward me.
The fall is graceless, and it looks like it hurts. It’s over so fast that I’m left gasping.
I look up to see the leather-jacket guy sneer down at his mate, lying crumpled and crying at my feet, and then turn sharply on his heel to go back into a second-floor apartment that had been vacant yesterday. He slams the door. The sound of the deadbolt sliding into place is like the report of a shotgun. Both slam and lock resound like thunderclaps, echoing in the tile lobby, punctuation to the drama and trauma of this short scene.
I switch into Good Samaritan mode and drop to my knees at the sniveling, crumpled mess of a man lying practically at my feet.
“Are you okay?” I ask and reach out to lightly touch his shoulder.
He jerks away and, wincing, pulls himself up into an awkward sitting position. He stares at me for a moment, almost as though he’s trying to place me, with clear blue eyes. He finally looks away.
“My ankle is throbbing. It hurts like hell. Maybe I twisted it.”
I don’t know what to say, other than to ask, “Would you like to try and stand? Test it out?”
I lean over to grip him under the arms—it’s damp there, and I can smell the ripe aroma of body odor, probably inspired by fear or panic—and pull. He comes up with me and then stumbles, wincing and crying out.
“Damn. I might have sprained it when I fell.” His eyes are so appealing, in both senses of the word, as he stares at me, as though seeking direction for what to do next. He leans on me, taking his weight off the injured ankle.
I keep my arm around him, and together we limp over to a bench set beneath the bank of common mailboxes. We sit.
“What do you want to do?” I ask.
“I don’t know. I think Cole may have locked me out for the night.”
I look up the stairs at the closed door and imagine the frame vibrating from its recent slam. I notice then that my new acquaintance is shivering. It’s a typical Seattle winter night—chilly and damp—and the vestibule has poor heat. Good thing, I think, that I’ve worn a hoodie over my T-shirt. I unzip it and take it off and then hold it out to him. “You could wear this.”
“Are you sure?” Without waiting for an answer, he takes it from me and puts it on. He zips it up to his throat and pulls the hood up over his thick blond hair.
“I’m sure.” I grin. “I’m Jeremy. Jeremy Booth. I live here in the building.” I stare down at the lobby’s worn linoleum floor, not sure what else to say or do.
“Shane McCallister. I just moved in today.” He casts a nervous glance up the stairs. “Well, John and I just moved in this afternoon. From Chicago.” He tries to give me a smile, but it comes out sad.
I nod. “I thought you said his name was Cole.”
Shane laughs and his cheeks redden. “Did I? I meant John. Sorry.”
We stare at one another for a second, a second in which I feel as though I’ve fallen down the rabbit hole.
They must have done their moving while I was out working this afternoon. I rub my chin and then say, because my mama taught me right, “Well, Shane, I can’t just leave you here like this. Do you want to come up to my place?” I think for a moment, get a better idea. “Or maybe I could take you over to First Hill, where all the hospitals are, get you to an emergency room so you can have that ankle looked at. It could be something worse than a sprain. You should do that, you know. I have a car. It’s parked in the back.”
Suddenly, chauffeuring this downtrodden stranger to one of the hospitals in the next neighborhood over seems more appealing to me, more exciting, than the date I just came home from.
“Oh, I couldn’t ask you to do that.”
I wave his protest away. “Yes, you could. You’re new in town, right? Do you have someone else you could call?” I pull my iPhone out of my jeans pocket and hold it out to him.
He looks at it strangely and just shakes his head. “We haven’t really made any friends here yet.”
“Well then, it’s settled. Let me run you over to Virginia Mason or Swedish.” I peer into those icy blue, yet magnetic, eyes. “Okay?”
“We don’t have health insurance,” Shane blurts out.
“Let’s not worry about that right now.” I stand and comb my fingers through my dark hair. “If your ankle’s broken or even sprained, you need to get it taken care of. That’s not something that heals on its own.”
He simply stares at me.
I sigh. “Look, I’m gonna run up to my place, get you some shoes—I have some shearling-lined moccasins that will probably fit—and they won’t hurt, much. I’ll grab you a shirt too. Are you gonna be all right here?” I glance nervously back up the stairs, but there’s no John, or anyone else, glowering down at us. The apartment building is still this Thursday night, caught in no-man’s-land between people getting home from work and departing for an evening of revelry farther south on Broadway at the gay bars.
“I’ll be okay,” Shane says softly.
He seems to shrink into himself, and my heart goes out to him. Poor guy! I have never understood why anyone would allow himself or herself to stay in an abusive relationship. At least that’s what I assume this pair have going on. I can ponder—or maybe even ask the guys themselves, although I already think I’ll be avoiding John—more about their situation later. Right now, duty calls.
I start up the stairs, and Shane calls out, “Jeremy?”
I turn, halfway up the stairs, realizing suddenly that these two are my new next-door neighbors. “Yeah?”
“Thanks. Not everyone would do this.”
“Sure they would,” I say, not at all sure that I speak the truth. I pause for a minute, still uncertain about what I’m getting myself into. That John character looked pretty menacing. What if he comes after us? Comes after me? What if he thinks my Good Samaritan act is an attempt to go after his lame boyfriend? I shake my head and continue trudging up the stairs. Sometimes life offers us very limited alternatives. I can’t just leave the guy on his own, friendless and hurt. And even taking him into my place is out of the question—he could be seriously injured. There are a million questions on my lips, and for right now I think the best course of action is to leave them unasked. “I’ll be right back.”
And then I hightail it up the stairs. In quick succession I unlock my door and dash into my apartment to hurriedly gather up the things I promised, fearing that at any moment John might return. He looked like the type who might do even more harm to Shane, and I don’t want any part of that. He appears to be a man who talks with his fists as much as his mouth, and my sympathy for poor Shane has manifested itself quickly and completely.
In record time I return with a plain black T-shirt and the aforementioned moccasins. I help Shane stand and get everything on. “My car’s out back in the lot. It ain’t much, but it’ll get us there.” I slide my arm around Shane and guide him down the central corridor that leads to the back door and the parking lot.
Somehow I have the feeling my life is about to change.