Showing posts with label DSP Publications. Show all posts
Showing posts with label DSP Publications. Show all posts

Wednesday, April 11, 2018

Guest Post: Author Michael Rupured Talks Up his New Release: CASE OF THE MISSING DRAG QUEEN



I can't wait to read my friend Michael's new book! Buy links are at the bottom...

About
The Case of the Missing Drag Queen takes place in 1982 – three years after I came out of the closet. The local gay bar was clique-ish. My circle consisted of upper-middle class white guys around my age who’d grown up in Lexington.

Aside from occasional-to-frequent walks on the wild side, we kept our distance from anyone who wasn’t like us—especially drag queens. What can I say? We were young, dumb, and—like everyone else at that time—raised to be homophobic.

Today’s distinctions in the Trans community were unfamiliar. Anyone who dressed up was a drag queen. Some performed in drag shows. Most did not. A few were always in drag. Whether an individual was or wasn’t transitioning was a subject for speculation and gossip.

Several years later, my partner and I started going to the 10:00 p.m. drag show. Getting to the disco before 11:30 was totally uncool. The drag show was a better option than falling asleep at home waiting for it to get late enough to go out.

Go ahead. Try not to enjoy a drag show. I dare you. From the first show, I was hooked.

Years of research watching drag shows at various venues around the country went into The Case of the Missing Drag Queen. Much of the action in takes in the Gilded Lily showroom where Luke Tanner tends bar. Get a taste by reading the excerpt below.
  
Blurb
Broke, saddled with a mountain of debt, and dependent on his Aunt Callie's support, aspiring writer Luke Tanner has returned to Kentucky to put his life back together after a failed five-year relationship.

On his twenty-fifth birthday, Luke meets diminutive Pixie Wilder, a long-time performer at the Gilded Lily. After headliner Ruby Dubonnet doesn’t show up, Pixie takes her place as the star of the show—a motive that makes her a suspect in Ruby’s disappearance.

Luke reluctantly agrees to help his new-found friend clear her name. He and Pixie set out to find the missing drag queen, and in the process, put themselves in danger.

Cover Artist:

Buy Links
DSP Publications

Author Bio
Michael Rupured writes stories true enough for government work about gay life from the 1960s to today. This life-long Southerner was born in Fayetteville NC, grew up in Lexington KY, and after 18 months in Washington DC, moved to Athens GA where he’s lived since 1999. By day, he’s senior faculty in the College of Family and Consumer Sciences at the University of Georgia. He’s an avid fan of the Georgia Bulldogs, the Kentucky Wildcats, and any team playing the Florida Gators. In his free time, Michael tinkers with his garden, plays with Toodles (his diabetic chihuahua), and keeps up with his many friends around the country. Previous novels include Until Thanksgiving (thriller), No Good Deed (mystery/thriller), Whippersnapper (regional), and Happy Independence Day (historical). Visit his website (http://rupured.com), follow on Twitter @Crotchetyman), like his Facebook page (https://www.facebook.com/AuthorMichaelRupured/)  or shoot him a message (mrupured@gmail.com)

Excerpt:
Thursday, October 21, 1982
The smoke-permeated Gilded Lily barely contained the standing-room-only crowd for the eleven o’clock drag show. Luke Tanner had never been so popular. Thirsty customers vying for his attention stood three- and four-deep along the bar as he quickly mixed drinks, opened bottles, and poured draft beer.
The house lights blinked several times, and Frank Marvin’s voice echoed from the loudspeakers. “Five minutes until the show begins, folks. Still plenty of time to see Charlie or Luke for a cocktail. Tip them well, y’all, because I don’t pay ’em shit.”
Luke stuck out his lower lip and put on a sad face as he fixed drinks for three different customers. Every gay man in town wanted to bartend at the Garden. The hourly rate was the same everywhere, but bartenders in any of the Garden’s four bars averaged thirty dollars an hour in tips—more upstairs in the Green Carnation disco and on busy nights.
The day Luke got back to Lexington, he’d popped into the Garden. Five years earlier, in the months between coming out of the closet and moving to Atlanta, he’d danced in the Green Carnation six nights a week. who owned the Garden, remembered him from the thousands who frequented the club, and shocked when he’d offered Luke a job.
They’d never met before. Luke would have remembered. Frank had been on a very short list of men in his desired age range—. Then and now, the age group was under-represented at the Garden.
The house lights dimmed, and Frank’s voice again filled the showroom. “Good evening, ladies, gentlemen, queens, and queers.”
The crowd responded with cheers, jeers, and whistles.
“Welcome to the Gilded Lily, home of the best motherfucking drag in the entire United States!”
Luke dropped a cocktail napkin on the bar in front of a handsome man wearing an expensive-looking patterned sweater who appeared to be in his late thirties. He cupped a hand to his ear to hear his order above the thunderous applause.
“Cape Cod,” the man shouted and held up a finger. “One, please.”
Rather than taking orders from other customers and making several drinks at once, Luke gave the well-dressed stranger his undivided attention. As he topped an ice-filled tumbler of vodka with cranberry juice and a squeeze of lime, he wondered if he was a gay visitor from out of town or a straight tourist observing homosexuals in their natural habitat. Most likely gay. A heterosexual man at the Garden who wasn’t clinging to a woman for dear life was rarer than snow in July.
“Three dollars,” Luke shouted as he placed the drink on the cocktail napkin.
The handsome, blue-eyed man gave Luke a dazzling smile, a wink, and a ten-dollar bill and said something drowned out by the din.
Luke furrowed his brow, shook his head, and leaned forward. “What?”
The man formed a megaphone with his hands again and leaned toward Luke. “Keep the change!”
“Oh.” Luke’s face grew hot. Good-looking and a big tipper. “Thank you, sir.” He shoved the ten into the register drawer and moved seven dollars to his tip jar. When he turned back around, the man was gone.
“And now,” Frank yelled through the microphone. “Please welcome to the stage, the dark and lovely Dirty Duchess of Broadway, Simone!”
The stage went dark except for a spotlight trained on the center. The music started—a dance club remix of a recent Diana Ross hit—and Simone burst through the curtain wearing a tight red cocktail dress, red spike heels, and an Afro wig that added a good eight inches to her height. She danced from one side of the stage to other, then strode quickly to the end of the catwalk and danced some more. In between wild bursts of joyous and energetic dancing, she bent to air-kiss adoring fans who clustered around the stage waving bills of various denominations to get her attention.
Russel Clark stood just offstage with his burly arms folded across his massive chest. The bodyguard-slash-bouncer was six foot seven inches tall and weighed over three hundred pounds. In the weeks that Luke had worked at the Gilded Lily, Russel’s hulking presence had prevented any unwanted interaction with the performers from even the most inebriated fans.
By Simone’s encore, the preshow rush at the bar had slowed to a trickle. In between customers Luke emptied ashtrays, cleared empties from the bar, and washed glassware. When nobody was looking, he shoved his hands into his pockets to soothe a relentless itching that he suspected was what he got for washing his underwear with cheap laundry detergent.
“Ladies and gentlemen, please welcome to the stage, the queen of the cathouse, Miss Kitty Galore!”
Kitty Galore was an S&M queen, standing and modeling as she lip-synced. The tight-fitting Kentucky blue and silver gown she wore emphasized her fabricated curves. Matching heels and an elegant backswept bouffant embellished with pearls added to her already impressive height.
Charlie Ross, who Luke had shadowed for two weeks to learn the ropes, crossed from the other end of the bar into his section. Charlie was a good head taller than Luke with strawberry-blond hair, brown eyes, a smattering of freckles across both cheeks and the bridge of his nose, and an imposing, athletic physique. He intimidated Luke, and for essentially the same reasons, turned him on. Not that turning him on was particularly difficult. He hadn’t had sex in months.
“Hey, man,” Charlie said. “Think you can handle the bar without me?” He reached down and groped his crotch. “I’ve got some business to attend to.”
Luke gulped, struggled to maintain eye contact, and pushed thoughts of what a naked Charlie might look like from his mind. “Frank say it’s okay?”
Charlie nodded. “If it’s okay with you.” He scratched his butt. “He’ll pull somebody from elsewhere in the Garden to help if it gets too busy for you.”
“I can handle it,” Luke said, feigning confidence. This was only his fourth night with his own section. If everyone in the showroom wanted a drink at the same time or someone ordered an unfamiliar cocktail or—
He slammed the brakes on his runaway train of thought. No point giving Fate any ideas.
“Thanks, man,” Charlie said, extending his hand.
“No problem,” Luke replied. He swallowed and wiped his sweaty palms on his hips. Shaking hands was not his thing. A firm grasp had thus far in life eluded him. He reached out, and Charlie engulfed his hand with a finger-crushing grip that hurt more with each pump.
“I owe you one,” Charlie said. He let go of Luke’s throbbing hand, pulled a five-dollar bill from his pocket, and tossed it into Luke’s tip jar. “Mind shutting down for me? I really need to run.”
“Sure,” Luke replied. He’d assumed Charlie would break down the well on his end of the bar before leaving but said nothing. He’d also kept his mouth shut for two weeks when he’d done all the work and Charlie kept all the tips.
The handsome, big tipper approached. When he reached the bar, another Cape Cod awaited him. He raised his hand and saluted. “Thanks, handsome. I’m flattered you remembered.” Then he thumbed through his wallet, pulled out a bill, and slid it across the bar. “Keep the change.”
Luke gasped when he saw the twenty-dollar bill. Too stunned for words, he nodded as the gorgeous man turned and walked away. The big tip was only partially responsible for his sudden inability to speak. That some imbecile somewhere hadn’t remembered his drink was as shocking as being called handsome. Presentable yes, perhaps even interesting, but handsome? Never.
On stage, Pixie Wilder wrapped up a disco version of “Rose Garden.” Her look was classic Nashville: big hair, flashy jewelry, a vibrant turquoise dress embellished with ten or fifteen pounds of rhinestones, and high-heeled, rhinestone-studded boots. For a girl, she was short. For a guy, she was tiny.
Luke kept up with the demand for beverages as Simone, Kitty Galore, and Pixie Wilder each performed a second number. The crowd grew restless, but nobody left. Business at the bar picked up as Pixie performed her second number. Ruby Dubonnet was next, and nobody wanted to miss a second of her performance. Only a couple of customers still waited for drinks as Pixie retrieved the tips she’d dropped and exited the stage.
A church bell sounded, and two well-oiled young men stepped onto the stage wearing white bikini briefs and matching bow ties. They marched in step to the end of the catwalk and back, tossing white rose petals from large baskets into the wildly cheering crowd as the bell chimed two more times. Luke was alone at the bar when they stopped on either end of the stage.
A hush fell over the Gilded Lily. Everyone stared at the stage, waiting. On the fourth chime, the curtains parted and Ruby Dubonnet emerged in an elegant beaded wedding gown with a long veil over her head and an enormous bouquet of white lilies in her arms. She took a few steps, stopped, and looked over the enthusiastic fans who scrambled for a position next to the stage to the back of the room.
Nobody—including Jennifer Holliday—did “And I Am Telling You I’m Not Going” better than Ruby Dubonnet. Ignoring her adoring fans and the bills they tossed onto the stage, Ruby gave herself to the performance. As the song progressed, she flung her bouquet to the ground and stomped on it a few times, yanked off the veil, and ripped the dress from her body in pieces. For the dramatic conclusion of the Broadway showstopper, she sat in the remnants of her tattered dress with an upraised fist, mascara running down her cheeks, and the mutilated bouquet in her lap.
When the music stopped, she stood, straightened her hair with a few well-placed shoves, quickly wiped the mascara from her face with a recovered sleeve, and stripped away everything but a lacy bra, dainty white panties, a garter belt, white hose, and white spike heels. She blew kisses to the rapturous fans tossing crumpled bills at her. Then she traversed the stage touching the fingertips of her fans and blowing kisses while the flower boys picked up her tips and tossed them in the baskets they carried.
The crowd gasped when the handsome big tipper vaulted onto the stage. Russel leaped into action, moving toward Ruby with far more grace and speed than Luke would have thought possible for such a large man. Ruby stopped him with an upraised hand. Then she opened her arms to embrace the handsome big tipper. He hugged her close, kissed her right on the lips, and after a moment, stepped back to bow deeply before hopping off the stage.
Moments later Ruby and her boys slipped behind the curtain, the lights came up, and the crowd dispersed to other parts of the Garden complex until one o’clock when the bars closed. Nobody lingered in the Gilded Lily. Even Frank and Russel had left.
Luke thoroughly scratched his irritated nether regions and then counted his tips, and readied the deposit for Frank to take to the bank. Cleaning up both ends of the bar took longer than expected. Exhausted, Luke brushed his teeth when he got home, stripped to his underwear, and fell into bed.

Friday, March 2, 2018

#FLASHBACKFRIDAY: MUTE WITNESS--One of my Most Disturbing Books



"The abuse of a little boy turns a community against a loving gay couple, and nobody comes out of it unscathed."

Mute Witness is a hard book to classify. The publisher files it under mystery/thriller, but there’s also some romance and a more than generous dash of horror—of both the real life variety and, in one instance, the supernatural. If I could make up a genre for Mute Witness, it would be redemption. The book’s all about finding redemption and how love can lead us there.

BLURB
Sean and Austin have the perfect life: new love, a riverfront home, security. Their love for one another is only multiplied when Sean’s eight-year-old son, Jason, visits on the weekends.

And then their perfect world shatters. Jason goes missing.

When the boy turns up days later, he’s been so horribly abused he’s lost the power to speak. Immediately small town minds turn to the boy’s gay father and his lover as the likely culprits. What was a warm, welcoming community becomes a lynching party out for blood. As Sean and Austin struggle to stay together amidst innuendo, the very real threat of Sean losing the son he loves emerges. Yet the true villain is much closer to home, intent on ensuring the boy’s muteness is permanent.

BUY
From DSP Publications (ebook)
From DSP Publications (paperback)
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Friday, February 9, 2018

#FLASHBACKFRIDAY: Third Eye: When You Can't Look Away

Third Eye means a lot to me not only because it's the kind of book that's scary, suspenseful, and hard-to-put-down (I don't write otherwise...boring is one of the worst sins a book can commit), but also because at its heart, it's a book about the unique bond parents have with their children. It's dedicated to the memory of my own mom and I like to think my main, character, Cayce, has the same parental qualities and capacity for love that my mother did.  

BLURB
Who knew that a summer thunderstorm and his lost little boy would conspire to change single dad Cayce D’Amico’s life in an instant? With Luke missing, Cayce ventures into the woods near their house to find his son, only to have lightning strike a tree near him, sending a branch down on his head. When he awakens the next day in the hospital, he discovers he has been blessed or cursed—he isn't sure which—with psychic ability. Along with unfathomable glimpses into the lives of those around him, he’s getting visions of a missing teenage girl.

When a second girl disappears soon after the first, Cayce realizes his visions are leading him to their grisly fates. Cayce wants to help, but no one believes him. The police are suspicious. The press wants to exploit him. And the girls' parents have mixed feelings about the young man with the "third eye."

Cayce turns to local reporter Dave Newton and, while searching for clues to the string of disappearances and possible murders, a spark ignites between the two. Little do they know that nearby, another couple—dark and murderous—are plotting more crimes and wondering how to silence the man who knows too much about them.

"A riveting, nail-biting, thought-provoking, frightening thriller, this story is much more than an M/M romance--it's a brilliant tale worthy of recognition on the New York Times Bestsellers List...Don't miss the chance to read this book."
--Scattered Thoughts and Rogue Words Reviews, December 2014 

BUY
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DSP Publications


Friday, January 19, 2018

#FLASHBACKFRIDAY: A Face WIthout a Heart--Moderninizing a Classic


My third book was a modern-day version of the Oscar Wilde classic, The Picture of Dorian Gray. I called my Chicago-set version A Face without a Heart, and I'm proud to say it was well-received and even won a couple of awards in its original edition. It was a relief because I was nervous about trying to pay homage to one of my favorite writers of all time. Oh, Bosie!

Isn't the cover--by the hugely talented Aaron Anderson--gorgeous? Not only that, it really beautifully shows the duality of our main character.

But the original cover, by The Design Image Group, was beautiful too. Here it is:




BLURB
A modern-day and thought-provoking retelling of Oscar Wilde’s The Picture of Dorian Gray that esteemed horror magazine Fangoria called


“…a book that is brutally honest with its reader and doesn’t flinch in the areas where Wilde had to look away…. A rarity: a really well-done update that’s as good as its source material.”

A beautiful young man bargains his soul away to remain young and handsome forever, while his holographic portrait mirrors his aging and decay and reflects every sin and each nightmarish step deeper into depravity… even cold-blooded murder. Prepare yourself for a compelling tour of the darkest sides of greed, lust, addiction, and violence.

EXCERPT
He was beautiful. Beauty is so seldom ascribed to men, too often incorrectly attributed to men with feminine features—wavy blond hair, fine cheekbones, teeth cut from porcelain. But I’ve always thought of beauty as a quality that went deeper than the corporeal… something dark, dense, inexplicable, capable of stirring longings primal, longings one would be powerless to resist.

He was beautiful. I sat on a Red Line “L” train, headed downtown, bags of heavy camera equipment heaped at my side, one arm resting protectively over them. I watched the young man, unable to train my thoughts on anything other than this man who had blotted out the reality of the day, magical and transforming. Beauty, especially so rare a beauty, can do that. The young man was an eclipse, his presence coming between myself and the reality of the day hurtling by outside train windows.

He had come in behind three foreign people, a bright counterpoint to their drab clothes, colorless, already wilting in the August humidity. They chattered to one another in a language unrecognizable, Polish maybe, and I was annoyed at their yammering, unable to block it out sufficiently enough to concentrate on the book I was reading, a biography of William Blake.

I almost didn’t notice him. It wasn’t like me to pay much attention to what went on around me, especially when I was preparing for a shoot. Usually I used the time on the train to set up the photographs I would take, the way I would manipulate light and shadow and how it fell on my models, to arrange the props, set up and test the lighting.

But something caused me to look up when the doors opened—perhaps I was struck by the dissonance created by the unknown language—and I saw him. Close-cropped brown hair, a bit of stubble framing full lips, a bruise fading to dull below his right eye. The bruise did not detract from the man’s beauty but served to enhance it, making of the rough features something more vulnerable. The bruise was the embodiment of a yearning for the touch of a finger, the whisper of a kiss. He wore an old, faded T-shirt with a Bulls logo, black denim cut off just above his knees, and a pair of work boots, the seam on the left beginning to separate. In spite of the workman’s garb, there was something intellectual about the man, an intensity in his aquamarine eyes that portended deeper thought.

At that moment, I made a decision. I don’t know what caprice seized me. I have always led an orderly life, completely without surprise. But when the train pulled to a stop and the young man stood, I acted on an impulse that was as sudden as it was uncontrollable.


ORDER
Paperback
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Amazon paperback


Wednesday, September 13, 2017

5 Stars for my Modern-Day Dorian Gray!

Pleased to wake up to this awesome video review of my modern-day retelling of the Oscar Wilde classic, The Picture of Dorian Gray called A FACE WITHOUT A HEART.



BLURB
A modern-day and thought-provoking retelling of Oscar Wilde’s The Picture of Dorian Gray that esteemed horror magazine Fangoria called “…a book that is brutally honest with its reader and doesn’t flinch in the areas where Wilde had to look away…. A rarity: a really well-done update that’s as good as its source material.”

A beautiful young man bargains his soul away to remain young and handsome forever, while his holographic portrait mirrors his aging and decay and reflects every sin and each nightmarish step deeper into depravity… even cold-blooded murder. Prepare yourself for a compelling tour of the darkest sides of greed, lust, addiction, and violence.





Wednesday, April 5, 2017

A New Review for my Dorian Gray Update, A FACE WITHOUT A HEART


Thrilled to wake up to this review of my Dorian Gray update, A FACE WITHOUT A HEART, from Boy Meets Boy Reviews.

"Overall I think this was a great story. It’s on the grey side of dark *wink* and enjoyable in an atypical way. Mr Reed always gets me with the interpersonal relationships and the creepy descriptives. Wonderful showing as always."

Read the whole 4-star review here.

BLURB
A modern-day and thought-provoking retelling of Oscar Wilde’s The Picture of Dorian Gray that esteemed horror magazine Fangoria called “…a book that is brutally honest with its reader and doesn’t flinch in the areas where Wilde had to look away…. A rarity: a really well-done update that’s as good as its source material.”

A beautiful young man bargains his soul away to remain young and handsome forever, while his holographic portrait mirrors his aging and decay and reflects every sin and each nightmarish step deeper into depravity… even cold-blooded murder. Prepare yourself for a compelling tour of the darkest sides of greed, lust, addiction, and violence.



Monday, February 20, 2017

5 Stars for A FACE WITHOUT A HEART from Christina's Bookshelf!

Pleased to wake up to this awesome video review of my modern-day retelling of the Oscar Wilde classic, The Picture of Dorian Gray called A FACE WITHOUT A HEART.



BLURB
A modern-day and thought-provoking retelling of Oscar Wilde’s The Picture of Dorian Gray that esteemed horror magazine Fangoria called “…a book that is brutally honest with its reader and doesn’t flinch in the areas where Wilde had to look away…. A rarity: a really well-done update that’s as good as its source material.”

A beautiful young man bargains his soul away to remain young and handsome forever, while his holographic portrait mirrors his aging and decay and reflects every sin and each nightmarish step deeper into depravity… even cold-blooded murder. Prepare yourself for a compelling tour of the darkest sides of greed, lust, addiction, and violence.





Friday, February 10, 2017

Horror and Romance: Why I Write Both



People always look at me funny when I tell them I write romance and horror. "But they're so different! They're complete opposites" they say.

Um, not so much.

I don’t really agree that horror and romance are polarizing.

Fear and love have a lot in common. Fear is a powerful emotion and I’m fascinated by how people react to terrifying situations, and what makes evil characters tick. Similarly, love is unpredictable and often terrifying. Good can turn bad very quickly. There’s a remarkable emotional vulnerability.

Readers of horror want to be scared; it’s terrifying and fun all at once. Readers of horror want a satisfying ending, that’s the safe part. Fiction is a created world where things can be put to right, unlike the real world, where atrocity doesn’t necessarily have rhyme or reason and may go unchecked.

Readers like romance because it’s also a controlled world. They can count on a happily-ever-after ending. Romance in fiction allows the reader to experience the thrill and conflict of love, in a safe way, because the reader knows it’s not real. I think that sense of emotional vulnerability applies to both romance and horror.

Vulnerability is universal and that’s why people enjoy reading about it.

Check out My Books for an overview of all the horror and romance I've written.



Saturday, February 4, 2017

A 5-plus star review for A FACE WITHOUT A HEART



I was thrilled, and humbled, to find this latest review of my retelling of Oscar Wilde's The Picture of Dorian Gray. Dog-Eared Daydreams reviewed A Face without a Heart here and the reviewer had this to say:

"The author's storytelling is above reproach, refusing to shy away from Wilde's version and his own vision of what I feel could be a modern-day classic of its own. I was beyond gratified that Reed chose to stick with the direction Wilde's story went because giving this a happily-ever-alternative would have been literary sacrilege, at least in my own humble opinion. If there's one book I hope you'll read right away, it's A Face Without a Heart. Five-plus stars. ♥"

Read the full review here.

BLURB
A modern-day and thought-provoking retelling of Oscar Wilde’s The Picture of Dorian Gray that esteemed horror magazine Fangoria called “…a book that is brutally honest with its reader and doesn’t flinch in the areas where Wilde had to look away…. A rarity: a really well-done update that’s as good as its source material.”

A beautiful young man bargains his soul away to remain young and handsome forever, while his holographic portrait mirrors his aging and decay and reflects every sin and each nightmarish step deeper into depravity… even cold-blooded murder. Prepare yourself for a compelling tour of the darkest sides of greed, lust, addiction, and violence.